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About the Exhibition
Arcadia University Art Gallery is pleased to announce the opening of “Tables of Contents: Ray Johnson Bob Box Archive”, an exhibition exploring the seven-year exchange between the legendary late artist Ray Johnson and college-artist Robert Warner. Featuring the contents of 13 cardboard boxes given to Warner by Johnson in 1990, the exhibition also includes a sampling of the two artists' correspondence and a selection of finished collages from the Ray Johnson Estate. Initially presented at Esopus Space (New York City) in June 2011, the exhibition coincided with the latest issue of Esopus Magazine, which featured a generously illustrated 16-page spread about the archive.
The show has been re-titled for its presentation at Arcadia to reflect the gallery’s comprehensive display of the contents of all 13 cardboard boxes. Offering viewers unusual entrée to the archive, this approach strives to echo the extensive series of events at Esopus Space during which Warner opened each of the boxes in public, discussed its contents, and selected certain examples to mount on the gallery walls.
Warner, an optician working in New York City, first encountered Johnson's work on a postcard sent to a mutual friend in 1988. Intrigued by the possibilities of corresponding with an artist, Warner initiated what evolved into a intense exchange between the two that continued until Johnson's death in 1995. While they spoke on the phone nearly every day, they met in person only seven times. (Obsessively private, and rarely attending his own exhibition openings, Johnson discouraged visits to his home in Long Island, where he relocated from Manhattan in response to being threatened by an attacker with a knife on the subway the same day that Andy Warhol was shot in 1968.)
At one point in 1990, Warner informed Johnson that he was going to be at garage sale in Great Neck, New York. As Warner tells the story in the Esopus 16 interview: “Ray called and asked me if I was going to have transportation back to the city, and I told him I would. He pulled up in front of the house in his Volkswagen. He was very cordial and shook hands with everyone, and then he said to my friend’s husband, who was driving me back, ‘Can I put these things I brought Bob in your trunk?’ And I said, ‘What things?’ He proceeded to take out of the car 13 cardboard boxes tied with twine, labeled ‘Bob Box 1,’ ‘Bob Box 2,’ ‘Bob Box 3’....”
The cardboard boxes, temporarily relieved of their contents and still wrapped in the string that Warner has never untied, are also on display in the gallery. The set of thirteen is not unlike other boxes of documents and objects that Johnson offered (either en masse or one at time) to friends and correspondents over the years, including Fluxus artists Alison Knowles and Dick Higgins. The identity of these cartons as gifts distinguishes them from Andy Warhol's 612 cardboard "Time Capsules"—filled from 1974 to Warhol's death in 1987—with which they nevertheless have an affinity. (In considering Johnson's boxes, it might be useful to remember that the artist frequently used cardboard cartons to transport his finished collages to meetings with collectors—sometimes scheduled in hotel rooms—during which he would unpack the works he'd selected and display them on available furniture.) Johnson was not insensitive to the impact these offeringshad on his friends. Worried that the contents of the five large boxes he gave to poet Coco Gordon were making her anxious, Johnson told her to "just throw it all out into the water". Tellingly, when police entered Johnson's house following his drowning suicide, they found it filled with neatly stacked cardboard containers.
GLENSIDE CORRESPONDENCE SCHOOL
Join artist and exhibition curator Robert Warner in a variety of activities pertaining to “Tables of Contents”. In addition to offering an informal tour of the show, Warner will demonstrate processes pertaining to his correspondence with Johnson, including the creation of silhouette portraits and the use of rubber stamps. Employing a light box, Warner will explore—for the first time—an archive of carbon paper (c. 1950 - 1990) that Johnson used to copy typed letters and drawings. To address the influence of Joseph Cornell on Johnson's practice, the afternoon will include a conversation with artist Howard Hussey, studio assistant to Cornell from 1966 to 1972. More details and a schedule of activities to be announced.